A wide range of subjects and interests are covered ranging from politics to music to journalism to religion to art to gay issues to gun rights to media to veterans' issues to roller derby to the very nature of creativity itself.

Adapted from the group of stage monologues by the pseudononymous "Jane Martin," this is a series of characters snake handler, daughter, baton twirler, washed-up rodeo cowgirl, tattoed woman, and older woman in the twilight of her years talking with us about their experiences, in the poetic language that Jane Martin is known for bringing to all her stage characters. Kathy Bates does a wonderful job of translating these dead-on characters (talking directly to camera) from stage to screen. "Jane Martin" first came to prominence at the prestigious Louisville-based Humana Theatre Festival it was recently revealed that "she" is none other than the Festival's artistic director, Jon Jory.

The Belgian documentarian Frans Buyens interviewed passers-by in East Berlin and Dresden, factory workers and technical draftswomen at the Warnow shipyard in Stralsund, small business owners in Chemnitz, LPG farmers in the countryside, foreign students at the Gottfried Herder Institute in Leipzig and industrial workers in Magdeburg and Eisenhuettenstadt. "The GDR seen through the eyes of a foreigner" was the original title of the film. A few years after the Wall was built, Buyens documented the approval, disapproval and fears of the interviewees.

暂无剧情简介

暂无剧情简介

In the midst of World War II, Nazi officer Otto Schatz declares the execution of Jewish music-hall comedian Genghis Cohn. Many years later, Otto is comfortably retired into the life of a highly respected police commissioner, and is investigating a series of murders when he encounters the ghost of Genghis Cohn. The haunting turns into a taunting, and before he knows it, Schatz is slowly driven mad as he is lured into a trap.

A troubled woman must confront her deadbeat father who abandoned her as a child as the last-ditch effort to find a donor kidney for her dying son.

The popularity of AMC's "The Walking Dead" aftershow "Talking Dead" -- and specifically of host Chris Hardwick's conversationalist ability to bring out the best in guests -- has moved the network to create a year-round talk franchise. Each hourlong episode features Hardwick talking with a single guest (or series cast) from across the entertainment landscape. The in-depth interviews highlight the host's irreverent, authentic take on pop culture today, and audience interactivity affords fans a fresh destination to celebrate their favorite pop icons.

Abel Ferrara directed this thirty-minute documentary that interviews the cast of his film THE ADDICTION.

Bryant Varnell is the host of a very poorly set up interviewing show, not the best interviewer Bryant asks his desk questions that mostly are ether very wrong or very insulting.